The earlier string quartet is a more muscular work, consisting of two movements that precede a longer finale of a theme and variations. As with the other works on the disc, the quartet shows its lineage, the Second Viennese School and Beethoven particularly. Running at around 17 minutes, the quartet has a real sense of scale; one has the clear impression of a master entirely at ease with his chosen tools. All the works on this disc show a similar integrity and intensity, the musical language cerebral but able to express emotion and imagery. The performances sound committed and expert, and the sound is fine.
Jeremy Marchant, Fanfare Magazine

And finally, the Lydian Quartet has released a new CD on Centaur devoted to the first four quartets of John Harbison, written over nearly two decades. This is richly conceived, passionately executed music that seems at once steeped in the genre's deep traditions and determined to say something freshly personal. The Third Quartet was actually written for the Lydians but they play with bite and authority throughout this disc, as if they owned the lot of them.
Jeremy Eichler, Boston Globe | Link to full review

The Lydian String Quartet, often recognized for its successful coupling of traditional repertoire as well as new compositions, is perfectly suited for Harbison's works. ... Every detail ... is precisely executed without making for mere technical performances. The Lydian produces a wealth of tone colors and soundscapes, a broad palate of dynamics, and an abundance of articulation variety. Balance within the quartet is superb, allowing for the often active inner voices to be clearly audible while not obscuring the primary melody.
Mike Brownell, All Music Guide | Link to full review